May 1st
I forgot to tell you about this cool song and group I stumbled onto. Hellbent is the name of the band. I had posted an article on the newsgroups that I was looking for industrial songs to include in my movie.
Hellbent was one of the groups that emailed me. They pointed me to a song called “heliophobic”. It was pretty cool, but not really the mood I was looking for.
But on their web site was another song called “3 Murders, 3 Nights” which is COOL. Very ominous, relentless, perfect for the movie. I emailed them back to see whether I could use that one and they were open to it.
But that’s all words until a contract is signed. So I told the guy I’d make up a contract and fax it to them. The guy I’m talking to is from the UK, but the group is made up of guys from all over the world. Guys from big industrial groups like Pig, Chemlab, and more.
They sent me a CD, and it was really good. Then I got a copy of Stuff magazine in the mail and guess who’s reviewed on the new CD page? Hellbent, and they got four out of four stars. So then I panic. What happens if they suddenly think they’re too big to let me license their song for fifty bucks? (and at this point I got them to let me play the whole song over the closing credits, which really ends the movie nicely)
I email the guy right away and tell him that I need the contract signed, as I’m talking with the composer now, and have to know whether to get him to compose a score over the end credits.
The guy—his name is Bryan Black—says he can fax me the signed contract. He does. It’s set, we can use the song. It’s quite a coup, if you ask me.
Meanwhile, I’m going back and forth with Evan. I asked him to start composing some credit stuff. He said he’s working on the “architecture” of the film--I don't know what that means. I’m putting off talking to him on the phone.
I also notice that he hasn’t really said anything about whether he liked the movie or not. Rick’s really wanting some kind of opinion of the film, but so far, Evan’s not very forthcoming. At least he hasn’t said “It blows, I won’t score it”.
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